A simple but classic trellis of a generous scale, the shadow lines give a convincing three-dimensional effect.This wallpaper is sold in the traditional format and can be used on its own or it can be combined with “Mirror Trellis Panel” to break up the interior space or to frame an architectural feature. Available in one colourway, printed on metallic foil.
A simple but classic trellis of a generous scale, the shadow lines give a convincing three-dimensional effect. This wallpaper is sold in the traditional format and can be used on its own or it can be combined with “Mirror Trellis” to break up the interior space or to frame an architectural feature. Available in one colourway, printed on metallic foil.
A simple but classic trellis of a generous scale, the shadow lines give a convincing three-dimensional effect. Available in several colourways, this wallpaper is sold in the traditional format. It can be used on its own or it can be combined with “Trellis Panel” to break up the interior space or to frame an architectural feature. Available in five colourways, printed on non-woven matte paper.
A simple but classic trellis of a generous scale, the shadow lines give a convincing three-dimensional effect. Available in several colourways, this wallpaper is sold in the traditional format. It can be used on its own or it can be combined with “Trellis” to break up the interior space or to frame an architectural feature. Available in five colourways, printed on non-woven matte paper.
The decorative niches featured in Maharaja Tent were inspired by a detail in a 17th century Indian miniature painting. Enlarged in scale from the original, the arched area is framed top and bottom by a series of borders also taken from traditional Mughal motifs. This panel can be used for an entire room to create the feeling of a tent interior or combined with “Maharaja Panel” to give depth to a plain wall or to highlight an architectural feature.
The climbing vine depicted in “Maharaja Panel” was taken from a section of an Indian miniature painting of the 17th century, and repainted on a grand scale. It is framed top and bottom by a series of borders also taken from traditional Mughal motifs. The panel can be used for an entire room or combined with “Maharaja Tent” to give depth to a plain wall or to highlight an architectural feature.
Lush foliage is peppered with exotic birds and beyond the meandering stream distant hills sit against a perfect sky. This area, gradating darker as it reaches the top, allows this design to be easily customised to the height of a room. The wallpaper repeats from side to side from one roll to another.
Traditional Chinese ink paintings informed this striking panel made of 3 adjoining drops. Two tigers circle one another whilst a third, languishing on a rocky outcrop above, looks on.
Traditional Chinese ink paintings informed this striking panel made of three adjoining drops. Two tigers circle one another whilst a third, languishing on a rocky outcrop above, looks on. Available in one colourway, printed on grasscloth.
Evocative of the loose painted panelling of Christian Bérard from the 1940s. This paper is made up of two panels which fit together to create pilasters. The pilasters can be used for an entire room or combined with Palm Court Panel wallpaper as shown below. Either would make a dramatic statement in a hall or a dining room.
Evocative of the loose painted panelling of Christian Bérard from the 1940s. This paper is made up of two adjoining panels which fit together to depict a whimsical scene of palm trees framed by pilasters. The panel can be used for an entire room or combined with Palm Court wallpaper as shown below. Either would make a dramatic statement in a hall or a dining room.
